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Roger bennett chelsea
Roger bennett chelsea












roger bennett chelsea
  1. #Roger bennett chelsea full#
  2. #Roger bennett chelsea code#

Similar scoring techniques were used with sound pioneer Enoch Light and his Project 3 Records label around the same period. So they achieved in their scoring techniques what could be recorded in one pass what everybody else was achieving with multiple overdubs. This increased the level of tape hiss on the final master, something which Phase 4 engineers could not tolerate. Normally in recording techniques of the mid-60s, in order to get the kind of layered sound realized in Phase 4 recordings, required multiple overdubs over multiple reels of tape, bouncing down and bouncing across to different recorders. Phase 4 recordings were originally made on then-novel 4-track tape, but the innovation was in the special scoring used to maximize the technology.

#Roger bennett chelsea full#

Beginning with their "Phase 4" series of immersive, spatialized STEREO sound (which was NOT quadraphonic despite claims to the contrary) which, along with their "FFRR - Full Frequency Range Recording" series and appellation, gained them a well earned reputation on their sound quality. In the 1960s and 1970s London Records got involved in then innovative quadraphonic sound techniques and launched vinyl LPs. Records when the band signed with that label).

roger bennett chelsea

The label also originally issued some early LPs and singles by Texas-based band ZZ Top (whose catalog went to Warner Bros. In America, the label was best known as the American imprint of the pre–1971 recordings of the Rolling Stones (now owned by ABKCO). From the late 1950s until 1973, the label bore the logo "London American Recordings", and on Radio Luxembourg it was known as "London American".ġ965 London Records trade ad for the Rolling Stones

#Roger bennett chelsea code#

Īn unusual feature was the letter code in the numbering system. The lead person in arranging the distribution deals at that time was Mimi Trepel. By the 1960s more licensing deals had been made with Big Top, Monument, Parrot, Philles, and Hi, and subsidiary labels were London Atlantic, London Dot and London Monument (the last featuring Roy Orbison, who remained with London in the UK even after he signed for MGM Records in the U.S.). In a reverse situation, the London name was also used in the UK market by British Decca for releases taken from American labels which were licensed by British Decca, such as Liberty, Imperial, Chess, Dot, Atlantic, Specialty, Essex and Sun, and the first two UK releases from Motown. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa.

roger bennett chelsea

London arose from the split in ownership between the British and American branches of Decca Records. The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues. The London name – as London American Recordings, often shortened to London American – was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. This logo has a similarity to Decca Records's classical label. London Recordings logo for Classical releases. Rhino Entertainment (New Order, All Saints, Slash Records) Virgin Music (most of post-1980 catalogues)

roger bennett chelsea

Warner Music Group ( New Order catalogue and certain releases of post-1998 catalogue) Universal Music Group (pre-1980 catalogue, London USA, trademark rights for "London Records" and "London Recordings" names and logos, and distribution of Because Music)īecause Music (label and most of post-1980 catalogues, also licenses trademarks from UMG) JSTOR ( January 2011) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "London Recordings" – news Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.














Roger bennett chelsea